In 10 or 15 years I think this is going to be a standard format. The wide shots are magnificent, the close-ups are magnificent, and it just has that depth - that three-dimensionality. Fraser attended the premiere and comments, "I just thought it looked amazing. The company has one of the largest SkyPanel inventories in the world and has provided them to other major upcoming movies such as "Life," "The Mummy," and "Star Wars: Episode VIII," which used well over 1,000 SkyPanel fixtures.įilming on "Rogue One" ran through 2015 and postproduction through 2016, with the movie released internationally this December. Pinewood MBS Lighting supplied ARRI SkyPanel LED soft lights to the production in significant numbers. It was not just ARRI cameras that were utilized on "Rogue One," but also ARRI lights. The production was based at Pinewood Studios outside London, with location filming taking place in England, the Maldives and Iceland. They were confident that we could shoot the whole film with ALEXA 65 and I believed them, so we did it. We walked out on a gangplank of filmmaking and we jumped over the edge."Īiming to create a look for "Rogue One" that would resonate with viewers familiar with the original "Star Wars" films, Fraser opted to combine ARRI Rental's ALEXA 65 with vintage 1970s lenses that were supplied by Panavision, along with the camera accessory and grip package. ARRI makes products that are dependable and reliable, and they don't over-promise. I've worked with ALEXAs having wind and sand blown at them by helicopters, and these cameras are absolutely rock solid. I have learned to trust that if ARRI say something is possible, then it is. "The backup could have been to do some scenes on film, but really - nothing ventured, nothing gained. "I remember when it got to the point where we were discussing the idea of shooting 65 for the whole movie, the producers asked what our backup plan was," says Fraser.
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